Rubeus Hagrid

Rubeus Hagrid is a fictional character in the Harry Potter book series written by J. K. Rowling. The character is usually addressed only by his surname. Hagrid is the half-giant Keeper of Keys and Grounds, gamekeeper and, starting in Harry's third year at Hogwarts School of Witchcraft and Wizardry, the Care of Magical Creatures teacher. Later in the series, it is revealed that Hagrid is also a member of the Order of the Phoenix.

"Hagrid", according to Rowling in an interview with The Boston Globe,[1] comes from an old English word "hagridden", meaning to have a nightmarish night, particularly when hung over; Hagrid is known to be a heavy drinker.

Albus Dumbledore

Albus Percival Wulfric Brian Dumbledore is a fictional character and a major protagonist within the Harry Potter series written by British author J. K. Rowling. For the majority of the series, he is the headmaster of the wizarding school Hogwarts School of Witchcraft and Wizardry. As part of his back-story, it is revealed that he is the founder and leader of the "Order of the Phoenix", an organisation dedicated to fighting the main antagonist of the series, Lord Voldemort.

Rowling's elderly headmaster at St Michael's Primary School, Alfred Dunn, is claimed as the inspiration for Dumbledore.[1][2]

The name "Dumbledore" is an old Devon word for "bumblebee" and was picked by Rowling because she imagines him wandering around the castle humming to himself.[3]

Ron Weasley

Ronald Bilius "Ron" Weasley is a fictional character in the Harry Potter book series written by J. K. Rowling. He is one of the central characters in the books. His first appearance was in the first book of the Harry Potter series, Harry Potter and the Philosopher's Stone (1997) as the best friend of the protagonist Harry Potter and Hermione Granger. He is a member of the Weasley family, a pure blood family, who reside in "The Burrow" outside Ottery St. Catchpole. Along with Harry and Hermione, he is a member of the Gryffindor house. The character of Ron Weasley usually receives little recognition, whilst the central character Harry's fame usually puts him at the centre of attention instead. This sometimes creates a rift between the two friends. Ron is present in most of the action throughout the series due to his friendship with Harry. In the films, he is portrayed by Rupert Grint.

Emma Watson

Emma Charlotte Duerre Watson (born 15 April 1990) is a French-born English actress[1] who rose to prominence playing Hermione Granger, one of three starring roles in the Harry Potter film series. Watson was cast as Hermione at the age of nine, having acted only in school plays.[2] From 2001 to 2007, she starred in five Harry Potter film installments alongside Daniel Radcliffe and Rupert Grint. She will return for the final three installments: Harry Potter and the Half-Blood Prince, due to be released in 2008, and the two parts of Harry Potter and the Deathly Hallows.[3] Watson's work in the Harry Potter series has earned her several awards and more than £10 million.[4]

Hermione Jean Granger (first name pronounced /hɚˈmaɪəni/) is a fictional character in J.K. Rowling's Harry Potter series. She first appeared in the books in Harry Potter and the Philosopher's Stone as a new student on her way to magic school. As the books progressed, she became close friends with Harry Potter and often used her quick wit and encyclopaedic knowledge to help him. Rowling has stated that Hermione resembles her at a younger age, with her insecurity and fear of failure.

In 2007, Watson announced her involvement in two non-Harry Potter productions: the made-for-television adaptation of the novel Ballet Shoes and an animated film, The Tale of Despereaux. Ballet Shoes was broadcast on Boxing Day 2007 to an audience of 5.2 million and The Tale of Despereaux, based on the book by Kate DiCamillo, will be released in 2008.[5][6]

Early life

Emma Watson was born in Paris, France, daughter of Jacqueline Luesby and Chris Watson, English lawyers.[7] Watson has one French grandmother,[8] and lived in Paris until the age of five, before she moved with her mother and younger brother Alex to Oxford, England, following her parents' divorce.[7]

From six, Watson expressed a desire to become an actress.[9] By 10, she had starred in school plays, including Arthur: The Young Years and The Happy Prince.[7] She had never acted professionally before the Harry Potter series. "I had no idea of the scale of the film [series]", she said in a 2007 interview with Parade magazine; "[if I had] I would have been completely overwhelmed".[10]

Career

Harry Potter

In 1999, casting began for Harry Potter and the Philosopher's Stone (known as Harry Potter and the Sorcerer's Stone in the United States), the film adaptation of British author J. K. Rowling's bestselling novel.[9] Of importance to the casting directors were the lead role of Harry Potter and the two supporting roles of Hermione Granger and Ron Weasley, Harry's two friends. Casting agents found Watson through her Oxford theatre teacher,[9] and producers were impressed by her confidence. After eight auditions, producer David Heyman told Watson and fellow applicants Daniel Radcliffe and Rupert Grint that they had been cast as Hermione Granger, Harry Potter and Ron Weasley. Rowling was said to support Watson from her first screen test.[9]

Watson's debut as Hermione came in 2001 with Harry Potter and the Philosopher's Stone. The film broke records for opening-day sales and opening weekend takings and was the highest-grossing film of 2001.[11][12] Critics praised the performances of the three leads, often singling out Watson for particular acclaim. The Daily Telegraph called her performance "admirable",[13] and IGN said she "stole the show".[14] Watson was nominated for five awards for her performance in Philosopher's Stone, winning the Young Artist Award for Leading Young Actress.[15]

A year later, Watson again starred as Hermione in Harry Potter and the Chamber of Secrets, the second instalment of the series. Though the film received mixed reviews because of its pace and direction, critics were positive about the performances. The Los Angeles Times said Watson and her peers had matured between films,[16] while The Times criticised director Chris Columbus for "under-employing" Watson's hugely popular character.[17] Watson received an Otto Award from the German magazine Die Welt for her performance.[18] In 2004, Harry Potter and the Prisoner of Azkaban was released. Watson was appreciative of the more assertive role Hermione played, calling her character "charismatic" and "a fantastic role to play".[19] Although critics turned away from Radcliffe's acting talent, labelling him wooden, Watson continued to be praised; The New York Times lauded her performance, saying "Luckily Mr. Radcliffe's blandness is offset by Ms. Watson's spiky impatience. Harry may show off his expanding wizardly skills ... but Hermione ... earns the loudest applause with a decidedly unmagical punch to Draco Malfoy's deserving nose".[20] Although Prisoner of Azkaban remains the lowest-grossing Harry Potter film as of January 2008, it was Watson's most successful, winning her two Otto Awards and the Child Performance of the Year award from Total Film.[21][22][23]

With Harry Potter and the Goblet of Fire (2005), both Watson and the Harry Potter film series reached new milestones. The film set records for a Harry Potter opening weekend, a non-May opening weekend in the US, and an opening weekend in the UK. Critics praised the increasing maturity of Watson and her teenage co-stars; the New York Times called her performance "touchingly earnest".[24] For Watson, much of the humour of the film sprang from the tension among the three lead characters as they matured. She said, "I loved all the arguing ... I think it's much more realistic that they would argue and that there would be problems."[25] Nominated for three awards for Goblet of Fire, Watson won a bronze Otto Award.[26][27][28] Later that year, Watson became the youngest person to appear on the cover of Teen Vogue.[29] 2006 found Watson playing Hermione in The Queen's Handbag, a special mini-episode of Harry Potter in celebration of Queen Elizabeth II's 80th birthday.[30]

The fifth film in the Harry Potter franchise, 2007's Harry Potter and the Order of the Phoenix, was a financial success, setting a record worldwide, opening-weekend gross of $333 million.[31] Watson won the inaugural National Movie Award for Best Female Performance.[32] As the fame of the actress and the series continued, Watson and fellow Harry Potter co-stars Daniel Radcliffe and Rupert Grint left imprints of their hands, feet, and wands in front of Grauman's Chinese Theater in Hollywood on 9 July 2007.[33]

Roles outside Harry Potter

Watson's first non-Harry Potter role was in the 2007 TV film Ballet Shoes. She played Pauline Fossil.[34] She said of the project, "I was all set to go back to school after finishing Harry Potter [and the Order of the Phoenix] but couldn't resist Ballet Shoes. I really loved it".[35] A BBC adaptation of Noel Streatfeild's novel of the same name, the film stars Watson as aspiring actress Pauline Fossil, the eldest of three sisters around whom the story revolves.[36] Director Sandra Goldbacher commented, "Emma was perfect for Pauline ... She has a piercing, delicate aura that makes you want to gaze and gaze at her".[35] The role required Watson to bleach her hair white-blonde.[37] Ballet Shoes was broadcast on Boxing Day in the United Kingdom,[38] to an estimated audience of 5.2 million (22 percent of the viewing total).[39] The film received generally poor critical reviews, and The Times described it as "progress[ing] with little emotional investment, or magic, or dramatic momentum".[40][41] However, the performances of its cast were generally praised; The Daily Telegraph wrote the film "was certainly well done, not least because it confirmed how good child actors are these days".[42]

Watson will star in the animated film The Tale of Despereaux, released in December 2008.[5] She will voice the character of Princess Pea in the film, a children's comedy which also stars Matthew Broderick and Tracey Ullman.

In June 2008, Watson signed a contract, reported to be worth £3 million, to advertise with Chanel, a prominent French fashion house.[43] She will become the public face of Coco Mademoiselle, one of the label's perfumes, replacing Kiera Knightley.[43]

Future plans

Despite rumours that she had refused the final two Harry Potter installments,[8] Watson signed for the sixth and seventh films in March 2007. She explained the decision was tough as filming would continue to dominate her life for three to four years, but in the end "the pluses outweighed the minuses".[10] Filming for Harry Potter and the Half-Blood Prince, the sixth film, began in late 2007.[44] Although Radcliffe and Grint have confirmed their commitment to acting, Watson has expressed uncertainty about her future. Speaking to Newsweek in 2006, she said, "Daniel and Rupert seem so sure ... I love to perform, but there are so many other things I love doing."[45]

Personal life

Watson's extended family has grown as her divorced parents both have children by new partners. Her father has identical twin girls, Nina and Lucy,[46] and a four-year old son, Toby. Her mother's partner has two sons (Emma's stepbrothers), who "regularly stay with [her]".[47] Watson's full brother, Alexander, has appeared as an extra in two Harry Potter films,[46] and her half-sisters were cast as the young Pauline Fossil in the BBC's Ballet Shoes adaptation.[46]

After moving to Oxford with her mother and brother, Watson attended The Dragon School, a private preparatory school, until June 2003 and then moved to Headington School, an private all-girl school, also in Oxford.[7] While on film sets, Watson and her peers were tutored for up to five hours a day;[48] despite the focus on filming she maintained high academic standards. In June 2006, Watson took GCSE examinations in 10 subjects, achieving eight A* and two A grades;[49] she was a target of friendly ridicule on the Harry Potter set because of her straight-A exam results.[29] The following year she received four A grades in her AS levels (advanced level examinations) in English, geography, art, and history of art.[50]

Watson's work in the Harry Potter series has brought her more than £10 million,[4] and she has acknowledged she will never have to work for money. However, she has declined to quit school to become a full-time actress, saying "People can’t understand why I don’t want to ... but school life keeps me in touch with my friends. It keeps me in touch with reality".[10] She has been positive about working as a child actress, saying her parents and colleagues helped make her experience happy.[29][47][51] Watson enjoys a close friendship with her fellow Harry Potter stars Daniel Radcliffe and Rupert Grint, describing them as a "unique support system" for the stresses of film work.

Watson lists her interests as dancing, singing, field hockey, tennis, art,[7] fly fishing,[52] and donates to WTT (Wild Trout Trust).[53][54][55] She describes herself as "a bit of a feminist",[10][47] and admires fellow actors Johnny Depp and Julia Roberts.[56]

Daniel Jacob Radcliffe

Daniel Jacob Radcliffe

(born 23 July 1989)is an English film, television and stage actor. He is best known for playing Harry Potter in each of the first five films based on the best-selling Harry Potter book series, and will also appear in the final three films of the series.
Biography

Early life

Radcliffe was born in Queen Charlotte's Hospital, West London, England,[5] the only child of Alan Radcliffe, a literary agent, and Marcia Gresham (born "Marcia Gresham Jacobson"),[6][7] a casting agent who was involved in several films for the BBC, including The Inspector Lynley Mysteries and, most recently, Walk Away And I Stumble. Radcliffe's mother is Jewish and grew up in Westcliff-on-Sea, Essex;[7][8] his father is a Protestant who grew up in Northern Ireland.[9] Radcliffe first expressed a desire to act at the age of five.[10] In December 1999, he made his acting debut in the BBC's televised two-part version of the Charles Dickens novel David Copperfield, portraying the title character as a young boy.[11]
Radcliffe was asked to audition for the role of Harry Potter in 2000 by producer David Heyman, while in attendance at a play named Stones in His Pockets in London.[12][13] In August of that year, after several auditions, he was selected to play the role in the big-budget adaptation of the award-winning book series by J.K. Rowling. Rowling herself also approved of this selection: "Having seen Dan Radcliffe's screen test I don't think Chris Columbus could have found a better Harry".[14] Radcliffe made his film debut in 2001 with a supporting role alongside Pierce Brosnan in The Tailor of Panama, and the first Harry Potter film, Harry Potter and the Philosopher's Stone (United States title: Harry Potter and the Sorcerer's Stone) was released later that year.

Radcliffe has also starred in the four subsequent Harry Potter film adaptations: Harry Potter and the Chamber of Secrets (2002), Harry Potter and the Prisoner of Azkaban (2004), Harry Potter and the Goblet of Fire (2005) and Harry Potter and the Order of the Phoenix (2007). He has signed on for the sixth and seventh films; Harry Potter and the Half-Blood Prince, scheduled to start filming in September 2007 for release on November 21, 2008, and Harry Potter and the Deathly Hallows Part I and II, expected in 2010 and 2011. The films continue to produce high box office results worldwide.

In 2002, Radcliffe appeared as a guest in the West End production The Play What I Wrote directed by Kenneth Branagh (who appeared with Radcliffe in Harry Potter and the Chamber of Secrets).[11] In 2006, he began to make the transition from child to adult actor, appearing in the television series Extras as a parody of himself, as well as filming the independent Australian drama December Boys. The film, which was filmed in six weeks[15] was released in North America by Warner Bros. on September 14, 2007. Radcliffe worked with a language coach for six months to perfect an Australian accent.[15] He took the role because he wanted to appear in a film in which he played a supporting role rather than the central character.[16] Next, Radcliffe opened on 27 February 2007 in a revival of Peter Shaffer's play Equus as Alan Strang, a stable boy who has an obsession with horses. The role generated significant pre-opening media interest and advance sales topped two million pounds, as Radcliffe appeared nude in one scene in the play.[17] Radcliffe's performance received positive reviews,[18] as critics were impressed by the nuance and depth of his against-type role.[19] Radcliffe's last performance in Equus took place on June 9, 2007. When the production transfers to New York City in 2008, Radcliffe will reprise the role of Alana Strang along with Richard Griffiths, who was in the Equus production in London and plays Vernon Dursley in the Harry Potter series.;[20][21] he has stated that he is nervous about repeating the role on Broadway because he considers American audiences more discerning than those in London.[22]

During the summer of 2007, he filmed the ITV drama My Boy Jack, based upon Rudyard Kipling's poem, which aired in the UK on Remembrance Day 2007 and will premiere in 2008 in the United States.[15][23] In the film, Radcliffe played Jack Kipling, a World War I-era soldier and the son of author Rudyard Kipling.[24][25] About the role, he stated:[26]

For many people my age, the First World War is just a topic in a history book. But I've always been fascinated by the subject and think it's as relevant today as it ever was.

At the age of sixteen, Radcliffe became the youngest non-royal ever to have an individual portrait in Britain's National Portrait Gallery. On 13 April 2006, his portrait, drawn by Stuart Pearson Wright, was unveiled as part of a new exhibition opening at London's Royal National Theatre, then moved to the National Portrait Gallery where it resides.[27] Radcliffe was fourteen at the time of the portrait's creation.

On July 9, 2007, Radcliffe and fellow Harry Potter cast members Rupert Grint and Emma Watson left imprints of their hands, feet and wands in front of Grauman's Chinese Theater in Hollywood.[28]

It was announced in the New York Times on December 28, 2007, that Radcliffe will portray deceased photojournalist Dan Eldon in an upcoming biopic entitled Journey.[29] Eldon's mother, Kathy, personally chose Radcliffe over other actors such as Heath Ledger, Ryan Phillippe and Joaquin Phoenix, noting Radcliffe's "puckishness, sense of humour and energy" as similar to her son's.[30]
Personal life
Radcliffe at the 2008 BAFTA Awards
Radcliffe at the 2008 BAFTA Awards

Radcliffe previously attended the Sussex House School, an all-boys
school,[31] and for his AS levels at City of London School.[15] He achieved A grades in the three AS-levels he sat in 2006, but then decided to take a break from education.[32]

Radcliffe has said that he is "very proud of being Jewish" but is not religious.[15][33][11] He plays bass guitar (taught by Gary Oldman) and is a fan of punk rock music; he admires a diverse lineup of bands, from Sex Pistols to Arctic Monkeys and more recently Hard-Fi,[34] Jack Penate and Kate Nash[35]. His favourite band is The Hold Steady.[36] He is also a fan of Fulham Football Club. While on set, to keep busy, he enjoys playing table tennis and video games with his fellow cast members. He is close friends with Rupert Grint, Emma Watson, Tom Felton and Gary Oldman.

Radcliffe appeared on the Sunday Times Rich List in 2006, which estimated his personal fortune to be GB£14 million, making him one of the richest young people in the United Kingdom.[37] He made another appearance on the British young people's rich list in 2007, which placed him as the thirty-third richest young person in Britain with an estimated wealth of £17 million.[38] He is reported to have earned approximately £250,000 for the first Potter film, around £5.6 million for the fourth film, and more than £8 million for Harry Potter and the Order of the Phoenix. Despite his wealth, Radcliffe has said he does not have expensive tastes. Radcliffe has said that his main expense is books, as he "read[s] a lot".[39] Radcliffe has been a supporter of various charities, including Demelza House Children's Hospice in Sittingbourne, Kent, to which he has requested fans make donations in lieu of birthday presents. In February 2005, Radcliffe put a "Hogwarts Crew" T-shirt which he autographed up for auction to help raise money for the Tsunami victims in 2005. His T-shirt was part of the Tsunami Celebrity Clothes Auction which raised money for the Rebuilding Sri Lanka Organization. He wore the t-shirt during the making of the film, Harry Potter and the Goblet of Fire. These T-shirts were only issued to members of the cast and crew. His shirt raised £520 or $995. He has become a keen follower of cricket[40] and attended the first England v India test match on his 18th birthday. He queued up for the autographs of Indian batting maestro Sachin Tendulkar and English opening batsman Andrew Strauss at the end of the final day's play.[41] Regarding this, he stated:[42]

I was telling people in a recent interview that I had a dream that Andrew Strauss was chasing me with a cricket bat. It was during the West Indies series when Andrew wasn’t doing too well and an Australian who was listening in piped up and said, "I wouldn’t worry about Strauss, if he had a swing at you at the moment he’d probably miss".

Regarding the milestone of turning 18, Radcliffe stated:[43]

I don't plan to be one of those people who, as soon as they turn 18, suddenly buy themselves a massive sports car collection or something similar. I don't think I'll be particularly extravagant. The things I like buying are things that cost about 10 pounds -- books, CDs and DVDs.

Harry Potter

Harry Potter is a heptalogy of fantasy novels written by British author J. K. Rowling. The books chronicle the adventures of the eponymous adolescent wizard Harry Potter, together with Ron Weasley and Hermione Granger, his best friends from the Hogwarts School of Witchcraft and Wizardry. The central story arc concerns Harry's struggle against the evil wizard Lord Voldemort, who killed Harry's parents in his quest to conquer the wizarding world, after which he seeks to subjugate the Muggle world to his rule.

Since the release of the first novel Harry Potter and the Philosopher's Stone in 1997, which was retitled Harry Potter and the Sorcerer's Stone in the United States, the books have gained immense popularity, critical acclaim and commercial success worldwide.[2] The series has spawned films, video games and Potter-themed merchandise. As of June 2008, the seven book series has sold more than 400 million copies [3] and the books have been translated into 67 languages.[4] The seventh and last book in the series, Harry Potter and the Deathly Hallows, was released on 21 July 2007.[5] Publishers announced a record-breaking 12 million copies for the first print run in the U.S. alone.[6]

The success of the novels has made Rowling the highest-earning novelist in history.[7] English language versions of the books are published by Bloomsbury in the United Kingdom, Scholastic Press in the United States, Allen & Unwin in Australia, and Raincoast Books in Canada.

Thus far, the first five books have been made into a series of motion pictures by Warner Bros. The sixth, Harry Potter and the Half-Blood Prince, began filming in September 2007, with a scheduled release of 21 November 2008.[8] The series also originated much tie-in merchandise, making the Harry Potter brand worth £7 billion ($15 billion).[9]


Plot summary

The story opens with the conspicuous celebration of a normally secretive wizarding world; for many years, it has been terrorised by the evil wizard, Lord Voldemort. On the previous night, October 31, Voldemort discovered the Potter family's hidden refuge, killing Lily and James Potter. However, when he attempted to murder their toddler son, Harry, the Avada Kedavra killing curse he cast rebounded upon him. Voldemort's body was destroyed, but his spirit survived: he is neither dead nor alive. Meanwhile, the orphaned Harry is left with a distinctive lightning bolt-shaped scar on his forehead, the only physical sign of Voldemort's curse. Harry is the only known survivor of the curse, and Voldemort's mysterious defeat causes the wizarding community to dub Harry "The Boy Who Lived". Harry is protected by the enchantment that was produced when Harry's mother died while protecting him from Voldemort. This protection will last until his 17th birthday.

On November 1, Rubeus Hagrid, a 'half-giant', delivers Harry to his only living relatives, the cruel and magic-phobic Dursleys, comprised of Uncle Vernon, a bad-tempered uncle; Aunt Petunia, a woman who appears to absolutely loathe Harry; and Dudley, their spoiled and overweight son. The Dursleys are, in the words of Professor McGonagall, "the worst sort of Muggles imaginable" and seek to deny Harry his magical birthright by making up a false story about Harry's parents dying in a car accident. They treat Harry like a slave and force him to live in a small, cramped closet under the stairs at their Privet Drive home.

However, as his eleventh birthday approaches, Harry has his first contact with the magical world when he begins receiving letters from Hogwarts School of Witchcraft and Wizardry, which are delivered by owls. Unfortunately, his uncle confiscates the letters before he can read them. Much to the Dursley's chagrin, Hogwarts is aware that Harry is not receiving his letters. However, the letters keep on coming and Uncle Vernon decides to move the family (Harry included) to a deserted island off the coast, hoping that the letters will cease. At the stroke of midnight on Harry's eleventh birthday, Rubeus Hagrid (Hogwarts half-giant gamekeeper) kicks in the door of the house where they are staying, and presents Harry with a letter explaining that he is a wizard and has been selected to attend Hogwarts School of Witchcraft and Wizardry. Each book chronicles one year in Harry's life, which is mostly spent at Hogwarts. There he learns to use magic and brew potions. Harry also learns to overcome many magical, social, and emotional hurdles as he struggles through his adolescence, Voldemort's second rise to power, and the Ministry of Magic's corruption and incompetent negligence. After facing many obstacles, forging lasting friendships, and losing countless loved ones, Harry Potter confronts the Dark Lord for the last time.

For a detailed synopsis of the novels, see the relevant article for each book.

Universe

Main article: Harry Potter universe

Hogwarts school, as depicted in the first film
Hogwarts school, as depicted in the first film

The wizarding world in which Harry finds himself is both completely separate from and yet intimately connected to our own world. While the fantasy world of Narnia is an alternative universe and the Lord of the Rings’ Middle-earth a mythic past, the wizarding world of Harry Potter exists alongside that of the real world and contains magical elements similar to things in the non-magical world. Many of its institutions and locations are in towns and cities which are recognisable in the real world, such as London. It possesses a fragmented collection of hidden streets, overlooked and ancient pubs, lonely country manors and secluded castles that remain invisible to the non-magical population (known as "Muggles"; i.e. the world of the reader). Wizard ability is inborn, rather than learned, although one must attend schools such as Hogwarts in order to master and control it. However, it is possible for wizard parents to have children who are born with little or no magical ability at all (known as "Squibs"). Since one is either born a wizard or not, most wizards are unfamiliar with the Muggle world. The magical world and its many fantastic elements are depicted in a matter-of-fact way. This juxtaposition of the magical and the mundane is one of the prominent motifs in the novels; the characters in the stories live normal lives with normal problems, for all their magical surroundings.
Chronology

Main article: Chronology of the Harry Potter stories

The books mainly avoid setting the story in a particular real year; however, there are a few references, which allow the books, and various past events mentioned in them to be assigned corresponding real years. The time line is sufficiently set in Chamber of Secrets, in which Nearly-Headless Nick remarks that it is the five-hundredth anniversary of his death on October 31, 1492; thus, Chamber of Secrets takes place from 1992 to 1993. This chronology was again reiterated in Deathly Hallows, in which the date of death on James and Lily Potter's gravestone is October 31, 1981. Thus, as Harry was a year old at the time of his parents' murders, his year of birth is 1980 and the main action of the story takes place from 1991 (the second chapter of Philosopher's Stone) to 1998 (the end of Deathly Hallows). Interviewed for an ITV documentary broadcast in December 2007, Rowling stated that the final battle with Voldemort's forces takes place on 2 May 1997, however, this would seem to be a mistake, and that the actual date should be 2 May 1998, fitting in with the dates given in Chamber of Secrets and Deathly Hallows.

Series

There are seven books in the Harry Potter series:

1. Harry Potter and the Philosopher's Stone (26 June 1997)
2. Harry Potter and the Chamber of Secrets (2 July 1998)
3. Harry Potter and the Prisoner of Azkaban (8 July 1999)
4. Harry Potter and the Goblet of Fire (8 July 2000)
5. Harry Potter and the Order of the Phoenix (21 June 2003)
6. Harry Potter and the Half-Blood Prince (16 July 2005)
7. Harry Potter and the Deathly Hallows (21 July 2007)

* All seven books in the series have been released in the English language as audiobooks. The UK editions are performed by Stephen Fry, while the American versions by Jim Dale.

Supplementary books

* Fantastic Beasts and Where to Find Them (2001)
* Quidditch Through the Ages (2001)
* The Tales of Beedle the Bard (2007)
* Untitled Harry Potter prequel (2008) - see [1]

Origins and publishing history
Cover of the UK children's edition of the first Harry Potter novel, Harry Potter and the Philosopher's Stone; a more austere design was later made available for adult readers
Cover of the UK children's edition of the first Harry Potter novel, Harry Potter and the Philosopher's Stone; a more austere design was later made available for adult readers

In 1990, J. K. Rowling was on a crowded train from Manchester to London when the idea for Harry suddenly "fell into her head". Rowling gives an account of the experience on her website saying:[10]
“ I had been writing almost continuously since the age of six but I had never been so excited about an idea before. I simply sat and thought, for four (delayed train) hours, and all the details bubbled up in my brain, and this scrawny, black-haired, bespectacled boy who did not know he was a wizard became more and more real to me. ”

In 1995, Harry Potter and the Philosopher's Stone was completed and the manuscript was sent off to prospective agents. The second agent she tried, Christopher Little, offered to represent her and sent the manuscript to Bloomsbury. After eight other publishers had rejected Philosopher's Stone, Bloomsbury offered Rowling a £2,500 advance for its publication.[11]

Despite Rowling's statement that she did not have any particular age group in mind when she began to write the Harry Potter books, the publishers initially targeted them at children age nine to eleven.[12] On the eve of publishing, Joanne Rowling was asked by her publishers to adopt a more gender-neutral pen name, in order to appeal to the male members of this age group, fearing that they would not be interested in reading a novel they knew to be written by a woman. She elected to use J. K. Rowling (Joanne Kathleen Rowling), using her grandmother's name as her second name, because she has no middle name.[13]

The first Harry Potter book was published in the United Kingdom by Bloomsbury in July 1997 and in the United States by Scholastic in September 1998, but not before Rowling had received $105,000 for the American rights — an unprecedented amount for a children's book by a then unknown author.[14] Fearing that American readers would not associate the word "philosopher" with a magical theme (as a Philosopher's Stone is alchemy-related), Scholastic insisted that the book be given the title Harry Potter and the Sorcerer's Stone for the American market.

Rowling's publishers were able to capitalise on this buzz by the rapid, successive releases of the first four books that allowed neither Rowling's audience's excitement nor interest to wane while she took a break from writing between the release of Harry Potter and the Goblet of Fire and Harry Potter and the Order of the Phoenix, and also quickly solidified a loyal readership.[15] The series has also gathered adult fans, leading to two editions of each Harry Potter book being released (in markets other than the United States), identical in text but with one edition's cover artwork aimed at children and the other aimed at adults.

Completion of the series

In December 2005, Rowling stated on her web site, "2006 will be the year when I write the final book in the Harry Potter series." Updates have since followed in her online diary chronicling the progress of Harry Potter and the Deathly Hallows, with the release date of 21 July 2007.

The book itself was finished on 11 January 2007 in the Balmoral Hotel, Edinburgh, where she scrawled a message on the back of a bust of Hermes. It read: “JK Rowling finished writing Harry Potter and the Deathly Hallows in this room (652) on 11 January 2007.”[16]

Rowling herself has stated that the last chapter of the seventh book (in fact, the epilogue) was completed "in something like 1990".[17][18]

In June 2006, Rowling, on an appearance on the British talk show Richard & Judy, announced that the chapter had been modified as one character "got a reprieve" and two others who previously survived the story had in fact been killed. She also said she could see the logic in killing off Harry to stop other writers from writing books about Harry's life after Hogwarts.[19]

On March 28, 2007, the cover art for the Bloomsbury Adult and Child versions and the Scholastic version were released.[20]

After Deathly Hallows

Rowling spent seventeen years writing the seven Harry Potter books. In a 2000 interview through Scholastic, her American publisher, Rowling stated that there is not a university after Hogwarts. Concerning the series continuing past book seven, she stated, "I will not say never, but I have no plans to write an eighth book."[21] She has since said that if she does write an eighth book Harry Potter will not be the central character, as his story has been told, and that she would not begin such a project for at least ten years.[22]

When asked about writing other Harry Potter-related books similar to Quidditch Through the Ages and Fantastic Beasts and Where to Find Them, she has said that she might consider doing this with proceeds donated to charity, as was the case with those two books. Another suggestion is an encyclopedia-style tome containing information that never made it into the series, also for charity.[23] She has revealed she is currently penning two books, one for children and one not for children.[24]

In February 2007 Rowling issued a statement on her website about finishing the final book, in which she compared her mixed feelings of "mourning" and "incredible sense of achievement" to those expressed by Charles Dickens in the preface of the 1850 edition of David Copperfield, "a two-years' imaginative task." "To which," she added, "I can only sigh, try seventeen years, Charles…"

On July 24, 2007, Rowling announced in an interview that she "probably will" write an encyclopaedia of the Harry Potter world, which would include background information cut from the narrative as well as post-Deathly Hallows information, including details of what happens to the other characters, who the new Hogwarts headmaster is, and more.[25] Rowling refers to the encyclopaedia as the "Scottish Book", a take on the Scottish play.[26]

In a 90-minute live Web chat, Rowling revealed[27] what several of the characters did in the years between the conclusion of the book and the epilogue.

Rowling has written an 800-word prequel to the Harry Potter Series for Waterstone's, "What's Your Story" postcard book, which has been auctioned for charity and fetched £25,000. Rowling stressed that she is not intending to write a full length prequel.[28]

Translations
The cover of Harry Potter en de Steen der Wijzen — the Dutch language translation of the first book, jointly published by De Harmonie and Standard.
The cover of Harry Potter en de Steen der Wijzen — the Dutch language translation of the first book, jointly published by De Harmonie and Standard.

Main article: Harry Potter in translation

The series has been translated into 65 languages,[29] placing Rowling among the most translated authors in history.[30] The first translation was into American English, as many words and concepts used by the characters in the novels may have been misleading to a young American audience.[2] [3] Subsequently the books have seen translations in languages as diverse as Ukrainian, Hindi, Bengali, Welsh, Afrikaans and Vietnamese. The first volume has been translated into Latin and even Ancient Greek,[31] making it the longest published work in that language since the novels of Heliodorus of Emesa in the 3rd century AD.[32]

The high profile and huge public demand for a decent local translation means that a great deal of care is often taken in the task. In some countries such as Italy, the first book was revised by the publishers and issued in an updated edition, in response to feedback from readers. In countries such as China and Portugal, the translation is conducted by a group of translators working together to save time. Some of the translators hired to work on the books were quite well known prior to their work on Harry Potter, such as Viktor Golyshev, who oversaw the Russian translation of the series' fifth book. Golyshev was previously best known for translating William Faulkner and George Orwell;[33] his tendency to snub the Harry Potter books in interviews and refer to them as inferior literature may be the reason he did not return to work on later books in the series. The Turkish translation of books two to seven was undertaken by Sevin Okyay, a popular literary critic and cultural commentator.[34] For reasons of secrecy, translation can only start when the books are released in English; thus there is a lag of several months before the translations are available. This has led to more and more copies of the English editions being sold to impatient fans in non-English speaking countries. Such was the clamour to read the fifth book that its English language edition became the first English-language book ever to top the bestseller list in France.[35]

Literary analysis

Structure and genre

See also: Harry Potter influences and analogues

The novels are very much in the fantasy genre; in many respects they are also bildungsromans, coming of age novels. They can also be considered to be part of the British children's boarding school genre, which includes Enid Blyton's Malory Towers, St Clares and the Naughtiest Girl series, and Frank Richards's Billy Bunter novels. The stories are predominantly set in Hogwarts, a fictional British boarding school for wizards, where the curriculum includes the use of magic. In this sense they are "in a direct line of descent from Thomas Hughes's Tom Brown's School Days and other Victorian and Edwardian novels of British public school life".[36] They are also, in the words of Stephen King, "shrewd mystery tales",[37] and each book is constructed in the manner of a Sherlock Holmes-style mystery adventure; the books leave a number of clues hidden in the narrative, while the characters pursue a number of suspects through various exotic locations, leading to a twist ending that often reverses what the characters had been led to believe. The stories are told from a third person limited point of view; with very few exceptions (such as the opening chapters of Philosopher's Stone and Deathly Hallows and the first two chapters of Half-Blood Prince), the reader learns the secrets of the story when Harry does. The thoughts and plans of other characters, even central ones such as Hermione and Ron, are kept hidden until revealed to Harry.

The books tend to follow a very strict formula. Set over the course of consecutive school years, they each begin with Harry at home with his relatives the Dursleys in the Muggle world, enduring their ill treatment. Subsequently, Harry goes to a specific magical location (Diagon Alley, the Weasleys' residence or Number Twelve, Grimmauld Place) for a short period before the new school year begins, which he commences by boarding the school train at Platform 9¾, Kings Cross Station. Once at school, new or redefined characters are introduced, and Harry overcomes new everyday school issues, such as difficult essays, awkward crushes, and unsympathetic teachers. The stories reach their climax in the summer term, near or just after final exams, when Harry confronts either Voldemort or one of his followers, the Death Eaters. In the aftermath, he learns important lessons through exposition and discussions with headteacher and mentor Albus Dumbledore. This formula was completely broken in the final novel, Harry Potter and the Deathly Hallows, in which Harry and his friends spend most of their time away from Hogwarts, and only return there to face Voldemort at the dénouement.

Themes

See also: Politics of Harry Potter

According to Rowling, a major theme in the series is the theme of death. She says:[38]
“ My books are largely about death. They open with the death of Harry's parents. There is Voldemort's obsession with conquering death and his quest for immortality at any price, the goal of anyone with magic. I so understand why Voldemort wants to conquer death. We're all frightened of it. ”

Rowling has stated that the books comprise "a prolonged argument for tolerance, a prolonged plea for an end to bigotry" and that also pass on a message to "question authority and… not assume that the establishment or the press tells you all of the truth".[39][40]

While the books could be said to comprise many other themes, such as power/abuse of power, love, prejudice, and free choice, they are, as J.K. Rowling states, "deeply entrenched in the whole plot"; the writer prefers to let themes "grow organically", rather than sitting down and consciously attempting to impart such ideas to her readers.[41] Along the same lines is the ever-present theme of adolescence, in whose depiction Rowling has been purposeful in acknowledging her characters' sexualities and not leaving Harry, as she put it, "stuck in a state of permanent pre-pubescence".[42]

Rowling said that, to her, the moral significance of the tales seems "blindingly obvious." The key for her was the choice between what is right and what is easy, "because that, that is how tyranny is started, with people being apathetic and taking the easy route and suddenly finding themselves in deep trouble."[43]

Achievements

Cultural impact

For more details on this topic, see Harry Potter fandom.

Since the publishing of The Philosopher's Stone, a number of societal trends have been attributed to the series.

The Harry Potter books have gained recognition for sparking an interest in reading among the young at a time when children were thought to be abandoning the book for the computer and the television,[44] though the series' overall impact on children's reading habits has been questioned. US National Endowment for the Arts Chairman Dana Gioia said in 2007 "God bless Harry Potter, and please send us many more. But one book or series of books is not strong enough to counterbalance the trends" of declining youth readership.[45] Charlie Griffiths, director of the UK's National Literacy Association, said "Anyone who can persuade children to read should be treasured and what Rowling has given us in Harry Potter is little short of miraculous,"[46] and now-British Prime Minister Gordon Brown said as Chancellor "I think JK Rowling has done more for literacy around the world than any single human being."[47]
Crowds wait outside a Borders store in Newark, Delaware for the midnight release of Harry Potter and the Half-Blood Prince
Crowds wait outside a Borders store in Newark, Delaware for the midnight release of Harry Potter and the Half-Blood Prince

The series has also garnered a large following of fans. So eager were these fans for the latest series release that bookstores around the world began holding events to coincide with the midnight release of the books, beginning with the 2000 publication of Harry Potter and the Goblet of Fire. The events, commonly featuring mock sorting, games, face painting, and other live entertainment have achieved popularity with Potter fans and have been incredibly successful at attracting fans and selling books with nearly nine million of the 10.8 million initial print copies of Harry Potter and the Half-Blood Prince sold in the first 24 hours.[48][49] Among this large base of fans are a minority of "super-fans", similar to the Trekkies of the Star Trek fandom. Besides meeting online through blogs, podcasts, and fansites, Harry Potter super-fans can also meet at Harry Potter symposia. These events draw people from around the world to attend lectures, discussions and a host of other Potter themed activities.

The Harry Potter books have inspired the "wizard rock" movement, where a number of bands were formed whose names, image and song lyrics relate to the Harry Potter world. Examples include Harry and the Potters and The Cruciatus Curse.[50]

Harry Potter has also brought changes in the publishing world, one of the most noted being the reformation of the New York Times Best Seller list. The change came immediately preceding the release of Goblet of Fire in 2000 when publishers complained of the number of slots on the list being held by Harry Potter and other children's books. The Times subsequently created a separate children's list for Harry Potter and other children's literature.[51]

The word muggle has spread beyond its Harry Potter origins, used by many groups to indicate those who are not aware or are lacking in some skill. In 2003, "muggle", entered the Oxford English Dictionary with that definition.[52]

There is an accredited course at California State University, Bakersfield devoted to the literature of Harry Potter titled "The World of Harry Potter."[53]

Awards and honours

J.K. Rowling and the Harry Potter series have been the recipients of a host of awards since the initial publication of Philosopher's Stone including four Whitaker Platinum Book Awards (all of which were awarded in 2001), three Nestlé Smarties Book Prizes (1997–1999), two Scottish Arts Council Book Awards (1999 and 2001), the inaugural Whitbread children's book of the year award, (1999), the WHSmith book of the year (2006), among others. In 2000, Harry Potter and the Prisoner of Azkaban was nominated for Best Novel in the Hugo Awards while in 2001, Harry Potter and the Goblet of Fire won said award. Honours include a commendation for the Carnegie Medal (1997), a short listing for the Guardian Children's Award (1998), and numerous listings on the notable books, editors' Choices, and best books lists of the American Library Association, New York Times, Chicago Public Library, and Publishers Weekly.[54]

Commercial success

See also: List of best-selling books

In November 2007, the magazine Advertising Age estimated the total value of the Harry Potter brand at roughly $15 billion (£7 billion).[9] The popularity of the Harry Potter series has translated into substantial financial success for Rowling, her publishers, and other Harry Potter related license holders. This success has made Rowling the first and thus far only billionaire author.[55] The books have sold more than 375 million copies worldwide and have also given rise to the popular film adaptations produced by Warner Bros., all of which have been successful in their own right with the first, Harry Potter and the Philosopher's Stone, ranking number four on the inflation-unadjusted list of all-time highest grossing films and the other four Harry Potter films each ranking in the top 20.[56] The films have in turn spawned eight video games and have in conjunction with them led to the licensing of more than 400 additional Harry Potter products (including an iPod) that have, as of July 2005, made the Harry Potter brand worth an estimated 4 billion US dollars and J.K. Rowling a US dollar billionaire,[57] making her, by some reports, richer than Queen Elizabeth II, however, Rowling has stated that this is false.[58][59]

On 12 April 2007, Barnes & Noble declared that Deathly Hallows has broken its pre-order record, with more than 500,000 copies pre-ordered through its site.[60]

A Maine bookseller said she had to sign a legal form stating that she would not open the boxes of Harry Potter and the Half-Blood Prince until their official release date at midnight, and that she would cover the boxes with blankets in her back room so they would not be seen.[61] For the release of Harry Potter and the Deathly Hallows, extra security was added by limiting the number of librarians who handle the book prior to its release. Those who failed to comply with the written agreement, which employees were required to sign, would jeopardise those libraries' access to "future embargoed titles."[62] Prior to the release of Deathly Hallows, the BBC reported that some booksellers and libraries may have been tempted to break the embargo for publicity, as there were no future Potter books to be banned from selling.[63]

For the release of Goblet of Fire, 9000 FedEx trucks were used with no other purpose than to deliver the book.[64] Together, Amazon.com and Barnes & Noble pre-sold more than 700,000 copies of the book.[64] In the United States, the book's initial printing run was 3.8 million copies.[64] This record statistic was broken by Harry Potter and the Order of the Phoenix, with 8.5 million, which was then shattered by Half-Blood Prince with 10.8 million copies.[65] 6.9 million copies of Prince were sold in the U.S. within the first 24 hours of its release; in the United Kingdom more than two million copies were sold on the first day.[66] The initial print run for Deathly Hallows was 12 million copies, and more than a million were pre-ordered through Amazon and Barnes & Noble.[67][68]

Others have claimed that sales of the Harry Potter books have not been highly profitable for book retailers. Intense competition to offer the best price on the popular novels has whittled away expected revenue. The suggested retail for Harry Potter and the Deathly Hallows was $35 but Amazon.com offered the book at a discounted price of $18, with other major chains following suit to remain competitive. Some hope that the frenzy associated with the book will create sales of other items when customers are drawn to bookstores. Other small, independent sellers have tried to protect revenues necessary to keep them in business by selling the book at the suggested cover price but offering other "add-on" items like Potter memorabilia or coupons towards other purchases.[69]

Criticism, praise, and controversy

Literary criticism

Early in its history, Harry Potter received overwhelmingly positive reviews, which helped the series to quickly grow a large readership. Upon its publication, the first volume, Harry Potter and the Philosopher's Stone, was greatly praised by most of Britain's major newspapers: The Mail on Sunday rated it as "the most imaginative debut since Roald Dahl"; a view echoed by the Sunday Times ("comparisons to Dahl are, this time, justified"), while The Guardian called it "a richly textured novel given lift-off by an inventive wit" and The Scotsman said it had "all the makings of a classic".[70]

By the time of the release of the fifth volume, Harry Potter and the Order of the Phoenix, the books began to receive strong criticism from a number of literary scholars. Yale professor, literary scholar and critic Harold Bloom raised pungent criticisms of the books' literary merits, saying, “Rowling's mind is so governed by clichés and dead metaphors that she has no other style of writing."[71] A. S. Byatt authored a New York Times op-ed article calling Rowling's universe a “secondary world, made up of intelligently patchworked derivative motifs from all sorts of children's literature … written for people whose imaginative lives are confined to TV cartoons, and the exaggerated (more exciting, not threatening) mirror-worlds of soaps, reality TV and celebrity gossip".[72]

The critic Anthony Holden wrote in The Observer on his experience of judging Harry Potter and the Prisoner of Azkaban for the 1999 Whitbread Awards. His overall view of the series was very negative — "the Potter saga was essentially patronising, very conservative, highly derivative, dispiritingly nostalgic for a bygone Britain," and he speaks of "pedestrian, ungrammatical prose style.[73]"

By contrast, author Fay Weldon, while admitting that the series is "not what the poets hoped for," nevertheless goes on to say, "but this is not poetry, it is readable, saleable, everyday, useful prose".[74] The literary critic A.N. Wilson praised the Harry Potter series in 'The Times', stating: "There are not many writers who have JK’s Dickensian ability to make us turn the pages, to weep – openly, with tears splashing – and a few pages later to laugh, at invariably good jokes…We have lived through a decade in which we have followed the publication of the liveliest, funniest, scariest and most moving children’s stories ever written."[75] Charles Taylor of Salon.com, who is primarily a movie critic,[76] took issue with Byatt's criticisms in particular. While he conceded that she may have "a valid cultural point — a teeny one — about the impulses that drive us to reassuring pop trash and away from the troubling complexities of art", he rejected her claims that the series is lacking in serious literary merit and that it owes its success merely to the childhood reassurances it offers. Taylor stressed the progressively darker tone of the books, shown by the murder of a classmate and close friend and the psychological wounds and social isolation each causes. Taylor also pointed out that Philosopher's Stone, said to be the most lighthearted of the seven published books, disrupts the childhood reassurances that Byatt claims spur the series' success: the book opens with news of a double murder, for example.[77]

Stephen King called the series "a feat of which only a superior imagination is capable," and declared "Rowling's punning, one-eyebrow-cocked sense of humor" to be "remarkable." However, he wrote that despite the story being "a good one," he is "a little tired of discovering Harry at home with his horrible aunt and uncle," the formulaic beginning of all seven books.[37] King has also joked that "Rowling's never met an adverb she did not like!" He does however predict that Harry Potter "will indeed stand time's test and wind up on a shelf where only the best are kept; I think Harry will take his place with Alice, Huck, Frodo, and Dorothy and this is one series not just for the decade, but for the ages."[78] Orson Scott Card wrote a review of Deathly Hallows in which he said, "J.K. Rowling has created something that . . . deserves to last, to become a permanent classic of English literature, and not just as 'children's fiction.'"[79] Tina Jordan of Entertainment Weekly called Deathly Hallows "stunningly beautiful" and predicted that "these books are going to be on my grandchildren's shelves, and my great-grandchildren's, and maybe even further down the line than that."[80] A Telegraph review of Harry Potter and the Half-Blood Prince and of the series as a whole, observed that Rowling's success was entirely self-made and not due to hype of her books by the publishing world, which has instead followed in her wake.[81]

The books have also spawned studies investigating the saga's literary merit. One collaboration by a number of critics is The Ivory Tower and Harry Potter. In this volume, Amanda Cockrell concludes, "Harry Potter is not the lightweight imitation of such serious high fantasy as A Wizard of Earthsea or The Lord of the Rings, but a legitimate descendant of the darker and more complicated school story," and suggests that "we need to take a deeper look into Harry Potter, who is deeper than we think."[82] She points to Rudyard Kipling, C.S. Lewis, Jill Murphy, Anthony Horowitz, Diana Wynne Jones, Thomas Hughes, Roald Dahl, and others as legitimate literary predecessors to the Harry Potter saga.[83] Lana A. Whithead, editor of the book, notes that Rowling "appears to be very seriously attempting a literary achievement."[84] John Granger, a conservative Orthodox Christian and English Literature professor at Peninsula College, writes that the "Harry Potter books are classics — and not just 'kid-lit' but as classics of world literature," and believes the books carry a "mother-lode" of deeper literary and symbolic meaning than meets the eye.[85]

Cultural criticism

Although Time magazine named Rowling as a runner-up for its 2007 Person of the Year award, noting the social, moral, and political inspiration she has given her fandom,[86] cultural criticisms of the series have been mixed.

Washington Post book critic Ron Charles opined in July 2007 that the large numbers of adults reading the Potter series but few other books may represent a "bad case of cultural infantilism", and that the straightforward "good vs. evil" theme of the series is "childish." He also argued that "through no fault of Rowling's," the cultural and marketing "hysteria" marked by the publication of the later books "trains children and adults to expect the roar of the coliseum, a mass-media experience that no other novel can possibly provide."[87]

Jenny Sawyer wrote in the July 25, 2007 Christian Science Monitor that the books represent a "disturbing trend in commercial storytelling and Western society" in that stories "moral center have all but vanished from much of today's pop culture.... after 10 years, 4,195 pages, and over 375 million copies, J.K. Rowling's towering achievement lacks the cornerstone of almost all great children's literature: the hero's moral journey." Harry Potter, Sawyer argues, neither faces a "moral struggle" nor undergoes any ethical growth, and is thus "no guide in circumstances in which right and wrong are anything less than black and white."[88]

Chris Suellentrop made a similar argument in a November 8, 2002 Slate Magazine article, likening Potter to a "a trust-fund kid whose success at school is largely attributable to the gifts his friends and relatives lavish upon him." Noting that in Rowling's fiction, magical ability potential is "something you are born to, not something you can achieve", Suellentrop wrote that Dumbledore's maxim that "It is our choices that show what we truly are, far more than our abilities" is hypocritical, as "the school that Dumbledore runs values native gifts above all else."[89] In an August 12, 2007 New York Times review of The Deathly Hallows, however, Christopher Hitchens praised Rowling for "unmooring" her "English school story" from literary precedents "bound up with dreams of wealth and class and snobbery", arguing that she had instead created "a world of youthful democracy and diversity".[90]

Controversies

Main articles: Legal disputes over Harry Potter, Religious debates over Harry Potter, and Politics of Harry Potter

The books have been the subject of a number of legal proceedings, largely stemming either from claims by American Christian groups that the magic in the books promotes witchcraft among children, or from various conflicts over copyright and trademark infringements.

The series' immense popularity and high market value has led Rowling, her publishers, and film distributor Warner Bros. to take legal measures to protect their copyright, which have included banning the sale of Harry Potter imitations, targeting the owners of websites over the "Harry Potter" domain name, and suing author Nancy Stouffer to counter her accusations that Rowling had plagiarised her work.[91][92][93]

Various religious conservatives have claimed that the books promote witchcraft and are therefore unsuitable for children,[94] while a number of critics have criticised the books for promoting various political agendas.[95][96] Her revelation that the character Dumbledore was homosexual has increased the political controversies surrounding the series.[97]

Other media

Films

Main article: Harry Potter film series

In 1999, Rowling sold the film rights to the first four Harry Potter books to Warner Bros. for a reported £1 million (US$1,982,900).[98] A demand Rowling made was that the principal cast be kept strictly British, nonetheless allowing for the inclusion of many Irish actors such as the late Richard Harris as Dumbledore, and for casting of French and Eastern European actors in Harry Potter and the Goblet of Fire where characters from the book are specified as such.[99] After considering many directors such as Steven Spielberg, Terry Gilliam, Jonathan Demme, and Alan Parker, on March 28, 2000, Chris Columbus was appointed as director for Harry Potter and the Philosopher's Stone (titled "Harry Potter and the Sorcerer's Stone" in the United States), with Warner Bros. citing his work on other family films such as Home Alone and Mrs. Doubtfire as influences for their decision.[100] After extensive casting,[101] filming began in October 2000 at Leavesden Film Studios and in London itself, with production ending in July 2001.[102] Philosopher's Stone was released on November 16, 2001.

Just three days after Philosopher's Stone's release, production for Harry Potter and the Chamber of Secrets, also directed by Columbus, began, finishing in Summer 2002.[103] The film was released on November 15, 2002.

Chris Columbus declined to direct Harry Potter and the Prisoner of Azkaban, only acting as producer. Mexican director Alfonso Cuarón took over the job, and after shooting in 2003, the film was released on June 4, 2004. Due to the fourth film beginning its production before the third's release, Mike Newell was chosen as the director for Harry Potter and the Goblet of Fire,[104] released on November 18, 2005. Newell declined to direct the next movie, and British TV director David Yates was chosen for Harry Potter and the Order of the Phoenix, which began production on January 2006,[105] and was released on July 11, 2007. Yates is in the middle of directing Harry Potter and the Half-Blood Prince,[106] for release on November 21, 2008.[8] In March 2008, Warner Bros. announced that the final instalment of the series, Harry Potter and the Deathly Hallows, would be filmed in two segments, with part one released in November 2010 and part two released in May 2011. Yates is expected again return to direct both films.[107] The Harry Potter films were huge box office hits, with all five on the 20 highest-grossing films worldwide.[108]

Games

Electronic Arts has so far released eight video games based on the books and movies storylines. In addition to the five based directly on the stories (Philosopher's Stone,[109] Chamber of Secrets,[110] Prisoner of Azkaban,[111] Goblet of Fire,[112] and Order of the Phoenix[113][114]), EA also produced a Quidditch simulation game, Harry Potter: Quidditch World Cup, released in 2003, and two games in the Lego Creator: Harry Potter[115] franchise, based on the first two books and released to coincide with the release of the movies.

Theme park

On 31 May 2007 Warner Bros., Universal Studios and Leavesden Film Studios announced that a Harry Potter area will be built in Orlando, Florida at Universal Orlando's Islands of Adventure.[116] The announcement described "The Wizarding World of Harry Potter" as "the world's first immersive Harry Potter themed environment." According to the Warner Bros. press release, the section is "Expected to open in late 2009. The new environment will feature immersive rides and interactive attractions, as well as experimental shops and restaurants;."[117] In an online announcement it was revealed that plans have been in place for over a year and a half; with contributions from J.K. Rowling and Stuart Craig.[116]

Theatre

A musical based on the series is currently being planned, tentatively scheduled for a 2008 run in London's West End. The Sunday Mirror reports that producers are hoping to have a "big-name composer" write the music. It has not yet been decided whether the production will tell the entire story, or focus on one particular subplot, though they do hope to include "spectacular flying scenes, live Quidditch and big showdowns with Voldemort".[118]